Major Progression » | R | - | 2 | - | 2 | 1 | - | 2 | - | 2 | - | 2 | 1 |

F--G--A-B♭--C--D--E-F
notes in KEY [F]
D--E-F--G--A-B♭--C--D
minor progression

sharps # 0
flats b 1
fret | 1
relative Dm minor

F--Gm--Am-B♭--C--Dm--E-F
chords/jam
I-IV-I-V = F-B♭-F-C
vi-ii-vi-iii = Dm-Gm-Dm-Am

Part1 - phrygian - Full Mode

Part1 - Lydian - Full Mode

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B♭

B «

G «

D «

B♭

A «

E «

B♭

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B «

G «

D «

A «

E «

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B♭

B «

G «

D «

B♭

A «

E «

B♭

A-phrygian minor | B♭-Lydian Major
The Major scale includes 7 notes
before reaching 'octave' note

If Key = F » | F | - | G | - | A | B♭ | - | C | - | D | - | E | F |
The 3rd mode of the Major scale is phrygian | Root fret 1 +4
The 4th mode of the Major scale is Lydian | Root fret 1 +5

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phrygian contains 3 instances of iii note  A 
Lydian contains 3 instances of IV note  B♭ 

A-phrygian minor | B♭-Lydian Major
The Major pentatonic scale includes 5 notes
before reaching 'octave' note

If Key = F » | F | - | G | - | A | - | - | C | - | D | - | - | F |
The Major pentatonic scale is formed by
removing the 4th (B♭) and 7th (E) from the Major scale

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phrygian contains 3 instances of iii note  A 
Lydian contains 3 instances of IV note  B♭ 

Part2 - Major Shapes & Patterns

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B «

G «

D «

A «

E «

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B «

G «

D «

A «

E «

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B♭

B «

G «

D «

B♭

A «

E «

B♭

A-phrygian minor | B♭-Lydian Major
Major Patterns
The Root chord is a Major chord and is made by "stacking"
the 1st-3rd-5th notes of the Key

If Key = F » | F | - | - | - | A | - | - | C | - | - | - | - | F |
I (First) 1-3-5 = I-iii-V = F-A-C
Shown above are the notes of the Root chord F barred at Root fret 1 +4
CAGED: within the phrygian and Lydian mode
the Root chord F takes the C-shape

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A-phrygian minor | B♭-Lydian Major
Major Shapes
The IV (Fourth) chord and V (Fifth) chord are also Major chords

IV (Fourth) 4-6-1 = IV-vi-I = B♭-D-F
V (Fifth) 5-7-2 = V-vii-ii = C-E-G
Within the phrygian and Lydian mode
the IV-chord B♭ takes the E-shape
Within the phrygian and Lydian mode
the V-chord C takes the A-shape

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Part3 - minor shapes & patterns

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B «

G «

D «

A «

E «

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

iii

B♭

B «

G «

D «

A «

E «

Key = F

Fret 1 +4

Key = F

Fret 1 +5

e «

B♭

B «

G «

D «

B♭

A «

E «

B♭

A-phrygian minor | B♭-Lydian Major
minor Patterns
The Relative minor chord is made of the 6th-1st-3rd notes of the Key

If Key = F » | F | - | - | - | A | - | - | - | - | D | - | - | F |
vi (sixth) 6-1-3 = vi-I-iii = D-F-A
Shown above are the notes of the Relative minor chord Dm
Within the phrygian and Lydian mode
the Relative minor chord takes the diagonal shape

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A-phrygian minor | B♭-Lydian Major
minor Shapes
The ii (second) chord and iii (third) chord are also minor chords

ii (second) 2-4-6 = ii-IV-vi = G-B♭-D
iii (third) 3-5-7 = iii-V-vii = A-C-E
Shown above are the notes of the ii-chord Gm and iii-chord Am
Within the phrygian and Lydian mode
the ii-chord and the iii-chord take the triangular and vertical shape

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Root F
fret 1 / 13

rel minor
Dm

octave F
fret 13

E «

B♭

E
7th

F
repeat

G
continue

mode »
type »
chord »
numbers »
symbols »
notes »

Ionian
Major
F
1 - 3 - 5
I - iii - V
F - A - C

dorian
minor
Gm
2 - 4 - 6
ii - IV - vi
G - B♭ - D

phrygian
minor
Am
3 - 5 - 7
iii - V - vii
A - C - E

Lydian
Major
B♭
4 - 6 - 1
IV - vi - I
B♭ - D - F

MixoLydian
Major
C
5 - 7 - 2
V - vii - ii
C - E - G

aeolian
minor
Dm
6 - 1 - 3
vi - I - iii
D - F - A

locrian
dim
E note
7th
add 7th
Maj 7th

Ionian
repeat
octave F
8 notes
+ 12 frets
Root=1 / 13

modes
continue
«ad infinum»
up +12
down -12
from Root