Major Progression » | R | - | 2 | - | 2 | 1 | - | 2 | - | 2 | - | 2 | 1 |

G--A--B-C--D--E--F♯-G
notes in KEY [G]
E--F♯-G--A--B-C--D--E
minor progression

sharps # 1
flats b 0
fret | 3
relative Em minor

G--Am--Bm-C--D--Em--F♯-G
chords/jam
I-IV-I-V = G-C-G-D
vi-ii-vi-iii = Em-Am-Em-Bm

Part1 - phrygian - Full Mode

Part1 - Lydian - Full Mode

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

F♯

G «

D «

A «

F♯

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

G «

D «

A «

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

F♯

G «

D «

A «

F♯

E «

B-phrygian minor | C-Lydian Major
The Major scale includes 7 notes
before reaching 'octave' note

If Key = G » | G | - | A | - | B | C | - | D | - | E | - | F♯ | G |
The 3rd mode of the Major scale is phrygian | Root fret 3 +4
The 4th mode of the Major scale is Lydian | Root fret 3 +5

| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
phrygian contains 3 instances of iii note  B 
Lydian contains 3 instances of IV note  C 

B-phrygian minor | C-Lydian Major
The Major pentatonic scale includes 5 notes
before reaching 'octave' note

If Key = G » | G | - | A | - | B | - | - | D | - | E | - | - | G |
The Major pentatonic scale is formed by
removing the 4th (C) and 7th (F♯) from the Major scale

| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
phrygian contains 3 instances of iii note  B 
Lydian contains 3 instances of IV note  C 

Part2 - Major Shapes & Patterns

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

G «

D «

A «

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

F♯

G «

D «

A «

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

F♯

G «

D «

A «

F♯

E «

B-phrygian minor | C-Lydian Major
Major Patterns
The Root chord is a Major chord and is made by "stacking"
the 1st-3rd-5th notes of the Key

If Key = G » | G | - | - | - | B | - | - | D | - | - | - | - | G |
I (First) 1-3-5 = I-iii-V = G-B-D
Shown above are the notes of the Root chord G barred at Root fret 3 +4
CAGED: within the phrygian and Lydian mode
the Root chord G takes the C-shape

| | | | |

| |o| | |

| | | | |

| | | | |

| | | |o|
| | | | |

B-phrygian minor | C-Lydian Major
Major Shapes
The IV (Fourth) chord and V (Fifth) chord are also Major chords

IV (Fourth) 4-6-1 = IV-vi-I = C-E-G
V (Fifth) 5-7-2 = V-vii-ii = D-F♯-A
Within the phrygian and Lydian mode
the IV-chord C takes the E-shape
Within the phrygian and Lydian mode
the V-chord D takes the A-shape

| | | | |

| | | | |

|o| | | |

| | | |o|

| | | | |

| | | | |

Part3 - minor shapes & patterns

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

G «

D «

A «

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

iii

B «

F♯

G «

D «

A «

E «

Key = G

Fret 3 +4

Key = G

Fret 3 +5

e «

B «

F♯

G «

D «

A «

F♯

E «

B-phrygian minor | C-Lydian Major
minor Patterns
The Relative minor chord is made of the 6th-1st-3rd notes of the Key

If Key = G » | G | - | - | - | B | - | - | - | - | E | - | - | G |
vi (sixth) 6-1-3 = vi-I-iii = E-G-B
Shown above are the notes of the Relative minor chord Em
Within the phrygian and Lydian mode
the Relative minor chord takes the diagonal shape

| | | | |

| | | | |

| | |o| |

| | | | |

| | | | |
| | | | |

B-phrygian minor | C-Lydian Major
minor Shapes
The ii (second) chord and iii (third) chord are also minor chords

ii (second) 2-4-6 = ii-IV-vi = A-C-E
iii (third) 3-5-7 = iii-V-vii = B-D-F♯
Shown above are the notes of the ii-chord Am and iii-chord Bm
Within the phrygian and Lydian mode
the ii-chord and the iii-chord take the triangular and vertical shape

|o| | | |

| | | |o|

| | | | |

| | | | |

| | | | |

| | | | |

Root G
fret 3 / 15

rel minor
Em

octave G
fret 15

E «

F♯

F♯
7th

G
repeat

A
continue

mode»
type»
chord»
numbers»
symbols»
notes»

Ionian
Major
G
1-3-5
I-iii-V
G-B-D

dorian
minor
Am
2-4-6
ii-IV-vi
A-C-E

phrygian
minor
Bm
3-5-7
iii-V-vii
B-D-F♯

Lydian
Major
C
4-6-1
IV-vi-I
C-E-G

MixoLydian
Major
D
5-7-2
V-vii-ii
D-F♯-A

aeolian
minor
Em
6-1-3
vi-I-iii
E-G-B

locrian
dim
F♯ note
7th
add 7th
Maj 7th

Ionian
repeat
octave G
8 notes
+ 12 frets
Root=3 / 15

modes
continue
«ad infinum»
up +12
down -12
from Root