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Major Progression » | R | - | 2 | - | 2 | 1 | - | 2 | - | 2 | - | 2 | 1 |
F--G--A-B♭--C--D--E-F
notes in KEY [F]
D--E-F--G--A-B♭--C--D
minor progression
sharps 0
flats b 1
fret | 1
relative   Dm   minor
F--Gm--Am-B♭--C--Dm--E-F
chords/jam
I-IV-I-V = F-B♭-F-C
vi-ii-vi-iii = Dm-Gm-Dm-Am

Part1 - MixoLydian - Full Mode

 
 
Key = F

Fret 1 +7
e «

C
B «

G

A
B♭
G «
D

E
F

D «
A
B♭

C

A «
E
F

G

E «

C

D

 
 
Key = F

Fret 1 +7
e «

C

D

B «

G

A

G «
D


F

D «
A


C

A «

F

G

E «

C

D

 
 
Key = F

Fret 1 +7
e «

C

D

B «

G

A
B♭
G «
D

E
F

D «
A
B♭

C

A «
E
F

G

E «

C

D

C-MixoLydian
The Major scale includes 7 notes
before reaching 'octave' note
       If Key = F » | F | - | G | - | A | B♭ | - | C | - | D | - | E | F |
The 5th mode of the Major scale is MixoLydian
The MixoLydian mode is a Major mode
In the Key of F the MixoLydian mode is at Root fret 1 +7

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MixoLydian contains 3 instances of V note  C 
C-MixoLydian
The Major pentatonic scale includes 5 notes
before reaching 'octave' note
       If Key = F » | F | - | G | - | A | - | - | C | - | D | - | - | F |
The Major pentatonic scale is formed by
removing the 4th (B♭) and 7th (E) from the Major scale
When played in one position, each string has 2 notes

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MixoLydian contains 3 instances of V note  C 

Part2 - Major Shapes & Patterns

 
 
Key = F

Fret 1 +7
e «

 
B «



A

G «



I

D «
 


C

A «

 



E «

 



 
 
Key = F

Fret 1 +7
e «

 

D

B «

G


IV
G «


E
F

D «



V

A «





E «





 
 
Key = F

Fret 1 +7
e «

C

D

B «

G

A
B♭
G «
D

E
F

D «
A
B♭

C

A «
E
F

G

E «

C

D

C-MixoLydian
Major Patterns
The Root chord is a Major chord and is made by "stacking"
the 1st-3rd-5th notes of the Key
       If Key = F » | F | - | - | - | A | - | - | C | - | - | - | - | F |
I (First) 1-3-5 = I-iii-V = F-A-C
Shown above are the notes of the Root chord F barred at Root fret 1 +7
CAGED: within the MixoLydian mode the Root chord takes the A-shape

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C-MixoLydian
Major Shapes
The IV (Fourth) chord and V (Fifth) chord are also Major chords
IV (Fourth) 4-6-1 = IV-vi-I = B♭-D-F
V (Fifth) 5-7-2 = V-vii-ii = C-E-G
Shown above are the notes of the IV-chord B♭ and V-chord C
Within the MixoLydian mode the IV-chord takes the D-shape
the V-chord takes the E-shape

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Part3 - minor shapes & patterns

 
 
Key = F

Fret 1 +7
e «



vi

B «



A

G «
 


F

D «
 




A «

 



E «



 

 
 
Key = F

Fret 1 +7
e «

C

D

B «



iii
B♭
G «


E


ii
D «





A «





E «





 
 
Key = F

Fret 1 +7
e «

C

D

B «

G

A
B♭
G «
D

E
F

D «
A
B♭

C

A «
E
F

G

E «

C

D

C-MixoLydian
minor Patterns
The Relative minor chord is made of the 6th-1st-3rd notes of the Key
       If Key = F » | F | - | - | - | A | - | - | - | - | D | - | - | F |
vi (sixth) 6-1-3 = vi-I-iii = D-F-A
Shown above are the notes of the Relative minor chord Dm
Within the MixoLydian mode the Relative minor chord takes the vertical shape

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C-MixoLydian
minor Shapes
The  ii  (second) chord and  iii  (third) chord are also minor chords
ii (second) 2-4-6 = ii-IV-vi = G-B♭-D
iii (third) 3-5-7 = iii-V-vii = A-C-E
Shown above are the notes of the ii-chord Gm and iii-chord Am
Within the MixoLydian mode the ii-chord and the iii-chord take the diagonal and triangular shape

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Root F
fret 1 / 13
 
 
 
 
 
 
 
 
rel minor
Dm
 
 
octave F
fret 13
 
 
E «
E
F

G

A
B♭

C

D

E
F

G
 
mode»
type»
chord»
numbers»
symbols»
notes»
Ionian
Major
F
1-3-5
I-iii-V
F-A-C
dorian
minor
Gm
2-4-6
ii-IV-vi
G-B♭-D
phrygian
minor
Am
3-5-7
iii-V-vii
A-C-E
Lydian
Major
B♭
4-6-1
IV-vi-I
B♭-D-F
MixoLydian
Major
C
5-7-2
V-vii-ii
C-E-G
aeolian
minor
Dm
6-1-3
vi-I-iii
D-F-A
locrian
dim
E note
7th
add 7th
Maj 7th
Ionian
repeat
octave F
8 notes
+ 12 frets
Root=1 / 13
modes
continue
«ad infinum»
up +12
down -12
from Root
 
MixoLydian is the Fifth mode V of the Major scale
MixoLydian is a Major mode
[ KEY of  F  ]
MixoLydian mode is played at ROOT fret | 1 | +7 
playing C-MixoLydian
 
 
 
 
« « iii - phrygian IV - Lydian
C - MixoLydian
vi - aeolian »