Major Progression » | R | - | 2 | - | 2 | 1 | - | 2 | - | 2 | - | 2 | 1 |

D--E--F♯-G--A--B--C♯-D
notes in KEY [D]
B--C♯-D--E--F♯-G--A--B
minor progression

sharps # 2
flats b 0
fret | 10
relative Bm minor

D--Em--F♯m-G--A--Bm--C♯-D
chords/jam
I-IV-I-V = D-G-D-A
vi-ii-vi-iii = Bm-Em-Bm-F♯m

Part1 - phrygian - Full Mode

Part1 - Lydian - Full Mode

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

C♯

G «

D «

F♯

A «

C♯

E «

F♯

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

G «

D «

F♯

A «

E «

F♯

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

C♯

G «

D «

F♯

A «

C♯

E «

F♯

F♯-phrygian minor | G-Lydian Major
The Major scale includes 7 notes
before reaching 'octave' note

If Key = D » | D | - | E | - | F♯ | G | - | A | - | B | - | C♯ | D |
The 3rd mode of the Major scale is phrygian | Root fret 10 +4
The 4th mode of the Major scale is Lydian | Root fret 10 +5

| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
phrygian contains 3 instances of iii note  F♯ 
Lydian contains 3 instances of IV note  G 

F♯-phrygian minor | G-Lydian Major
The Major pentatonic scale includes 5 notes
before reaching 'octave' note

If Key = D » | D | - | E | - | F♯ | - | - | A | - | B | - | - | D |
The Major pentatonic scale is formed by
removing the 4th (G) and 7th (C♯) from the Major scale

| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
| | | | |
phrygian contains 3 instances of iii note  F♯ 
Lydian contains 3 instances of IV note  G 

Part2 - Major Shapes & Patterns

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

G «

D «

F♯

A «

E «

F♯

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

B «

C♯

G «

D «

A «

E «

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

C♯

G «

D «

F♯

A «

C♯

E «

F♯

F♯-phrygian minor | G-Lydian Major
Major Patterns
The Root chord is a Major chord and is made by "stacking"
the 1st-3rd-5th notes of the Key

If Key = D » | D | - | - | - | F♯ | - | - | A | - | - | - | - | D |
I (First) 1-3-5 = I-iii-V = D-F♯-A
Shown above are the notes of the Root chord D barred at Root fret 10 +4
CAGED: within the phrygian and Lydian mode
the Root chord D takes the C-shape

| | | | |

| |o| | |

| | | | |

| | | | |

| | | |o|
| | | | |

F♯-phrygian minor | G-Lydian Major
Major Shapes
The IV (Fourth) chord and V (Fifth) chord are also Major chords

IV (Fourth) 4-6-1 = IV-vi-I = G-B-D
V (Fifth) 5-7-2 = V-vii-ii = A-C♯-E
Within the phrygian and Lydian mode
the IV-chord G takes the E-shape
Within the phrygian and Lydian mode
the V-chord A takes the A-shape

| | | | |

| | | | |

|o| | | |

| | | |o|

| | | | |

| | | | |

Part3 - minor shapes & patterns

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

G «

D «

A «

E «

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

iii

B «

C♯

G «

D «

A «

E «

Key = D

Fret 10 +4

Key = D

Fret 10 +5

e «

F♯

B «

C♯

G «

D «

F♯

A «

C♯

E «

F♯

F♯-phrygian minor | G-Lydian Major
minor Patterns
The Relative minor chord is made of the 6th-1st-3rd notes of the Key

If Key = D » | D | - | - | - | F♯ | - | - | - | - | B | - | - | D |
vi (sixth) 6-1-3 = vi-I-iii = B-D-F♯
Shown above are the notes of the Relative minor chord Bm
Within the phrygian and Lydian mode
the Relative minor chord takes the diagonal shape

| | | | |

| | | | |

| | |o| |

| | | | |

| | | | |
| | | | |

F♯-phrygian minor | G-Lydian Major
minor Shapes
The ii (second) chord and iii (third) chord are also minor chords

ii (second) 2-4-6 = ii-IV-vi = E-G-B
iii (third) 3-5-7 = iii-V-vii = F♯-A-C♯
Shown above are the notes of the ii-chord Em and iii-chord F♯m
Within the phrygian and Lydian mode
the ii-chord and the iii-chord take the triangular and vertical shape

|o| | | |

| | | |o|

| | | | |

| | | | |

| | | | |

| | | | |

Root D
fret 10 / 22

rel minor
Bm

octave D
fret 22

E «

C♯

F♯

C♯

C♯
7th

D
repeat

E
continue

mode»
type»
chord»
numbers»
symbols»
notes»

Ionian
Major
D
1-3-5
I-iii-V
D-F♯-A

dorian
minor
Em
2-4-6
ii-IV-vi
E-G-B

phrygian
minor
F♯m
3-5-7
iii-V-vii
F♯-A-C♯

Lydian
Major
G
4-6-1
IV-vi-I
G-B-D

MixoLydian
Major
A
5-7-2
V-vii-ii
A-C♯-E

aeolian
minor
Bm
6-1-3
vi-I-iii
B-D-F♯

locrian
dim
C♯ note
7th
add 7th
Maj 7th

Ionian
repeat
octave D
8 notes
+ 12 frets
Root=10 / 22

modes
continue
«ad infinum»
up +12
down -12
from Root