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Major Progression » | R | - | 2 | - | 2 | 1 | - | 2 | - | 2 | - | 2 | 1 |
A--B--C♯-D--E--F♯--G♯-A
notes in KEY [A]
F♯--G♯-A--B--C♯-D--E--F♯
minor progression
sharps 3
flats b 0
fret | 5
relative   F♯m   minor
A--Bm--C♯m-D--E--F♯m--G♯-A
chords/jam
I-IV-I-V = A-D-A-E
vi-ii-vi-iii = F♯m-Bm-F♯m-C♯m

Part1 - MixoLydian - Full Mode

 
 
Key = A

Fret 5 +7
e «

E
B «

B

C♯
D
G «
F♯

G♯
A

D «
C♯
D

E

A «
G♯
A

B

E «

E

F♯

 
 
Key = A

Fret 5 +7
e «

E

F♯

B «

B

C♯

G «
F♯


A

D «
C♯


E

A «

A

B

E «

E

F♯

 
 
Key = A

Fret 5 +7
e «

E

F♯

B «

B

C♯
D
G «
F♯

G♯
A

D «
C♯
D

E

A «
G♯
A

B

E «

E

F♯

E-MixoLydian
The Major scale includes 7 notes
before reaching 'octave' note
       If Key = A » | A | - | B | - | C♯ | D | - | E | - | F♯ | - | G♯ | A |
The 5th mode of the Major scale is MixoLydian
The MixoLydian mode is a Major mode
In the Key of A the MixoLydian mode is at Root fret 5 +7

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MixoLydian contains 3 instances of V note  E 
E-MixoLydian
The Major pentatonic scale includes 5 notes
before reaching 'octave' note
       If Key = A » | A | - | B | - | C♯ | - | - | E | - | F♯ | - | - | A |
The Major pentatonic scale is formed by
removing the 4th (D) and 7th (G♯) from the Major scale
When played in one position, each string has 2 notes

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MixoLydian contains 3 instances of V note  E 

Part2 - Major Shapes & Patterns

 
 
Key = A

Fret 5 +7
e «

 
B «



C♯

G «



I

D «
 


E

A «

 



E «

 



 
 
Key = A

Fret 5 +7
e «

 

F♯

B «

B


IV
G «


G♯
A

D «



V

A «





E «





 
 
Key = A

Fret 5 +7
e «

E

F♯

B «

B

C♯
D
G «
F♯

G♯
A

D «
C♯
D

E

A «
G♯
A

B

E «

E

F♯

E-MixoLydian
Major Patterns
The Root chord is a Major chord and is made by "stacking"
the 1st-3rd-5th notes of the Key
       If Key = A » | A | - | - | - | C♯ | - | - | E | - | - | - | - | A |
I (First) 1-3-5 = I-iii-V = A-C♯-E
Shown above are the notes of the Root chord A barred at Root fret 5 +7
CAGED: within the MixoLydian mode the Root chord takes the A-shape

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E-MixoLydian
Major Shapes
The IV (Fourth) chord and V (Fifth) chord are also Major chords
IV (Fourth) 4-6-1 = IV-vi-I = D-F♯-A
V (Fifth) 5-7-2 = V-vii-ii = E-G♯-B
Shown above are the notes of the IV-chord D and V-chord E
Within the MixoLydian mode the IV-chord takes the D-shape
the V-chord takes the E-shape

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Part3 - minor shapes & patterns

 
 
Key = A

Fret 5 +7
e «



vi

B «



C♯

G «
 


A

D «
 




A «

 



E «



 

 
 
Key = A

Fret 5 +7
e «

E

F♯

B «



iii
D
G «


G♯


ii
D «





A «





E «





 
 
Key = A

Fret 5 +7
e «

E

F♯

B «

B

C♯
D
G «
F♯

G♯
A

D «
C♯
D

E

A «
G♯
A

B

E «

E

F♯

E-MixoLydian
minor Patterns
The Relative minor chord is made of the 6th-1st-3rd notes of the Key
       If Key = A » | A | - | - | - | C♯ | - | - | - | - | F♯ | - | - | A |
vi (sixth) 6-1-3 = vi-I-iii = F♯-A-C♯
Shown above are the notes of the Relative minor chord F♯m
Within the MixoLydian mode the Relative minor chord takes the vertical shape

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E-MixoLydian
minor Shapes
The  ii  (second) chord and  iii  (third) chord are also minor chords
ii (second) 2-4-6 = ii-IV-vi = B-D-F♯
iii (third) 3-5-7 = iii-V-vii = C♯-E-G♯
Shown above are the notes of the ii-chord Bm and iii-chord C♯m
Within the MixoLydian mode the ii-chord and the iii-chord take the diagonal and triangular shape

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Root A
fret 5 / 17
 
 
 
 
 
 
 
 
rel minor
F♯m
 
 
octave A
fret 17
 
 
E «
G♯
A

B

C♯
D

E

F♯

G♯
A

B
 
mode»
type»
chord»
numbers»
symbols»
notes»
Ionian
Major
A
1-3-5
I-iii-V
A-C♯-E
dorian
minor
Bm
2-4-6
ii-IV-vi
B-D-F♯
phrygian
minor
C♯m
3-5-7
iii-V-vii
C♯-E-G♯
Lydian
Major
D
4-6-1
IV-vi-I
D-F♯-A
MixoLydian
Major
E
5-7-2
V-vii-ii
E-G♯-B
aeolian
minor
F♯m
6-1-3
vi-I-iii
F♯-A-C♯
locrian
dim
G♯ note
7th
add 7th
Maj 7th
Ionian
repeat
octave A
8 notes
+ 12 frets
Root=5 / 17
modes
continue
«ad infinum»
up +12
down -12
from Root
 
MixoLydian is the Fifth mode V of the Major scale
MixoLydian is a Major mode
[ KEY of  A  ]
MixoLydian mode is played at ROOT fret | 5 | +7 
playing E-MixoLydian
 
 
 
 
« « iii - phrygian IV - Lydian
E - MixoLydian
vi - aeolian »